• Architecture
  • Installation
  • Painting
  • Site-Specific
  • Sculpture

Graffito

Pablo Rasgado’s Graffito is an ongoing architectural intervention that interrogates the boundaries between traditional art forms, public space, and the temporal nature of urban landscapes. The project, initiated in 2021, places fragments of oil paintings, a medium historically associated

Timescape

Timescape, consists of almost 200 paintings mounted on individual canvases, that Rasgado has removed from public walls around the world including Barcelona, Berlin, Brussels, Paris, New York, Philadelphia, Charlotte, Bogotá, Lagos, Los Angeles, New York, Tel Aviv, Ramallah and

Afterlife

After obtaining a series of classified documents, the artist translated the redacted fragments into architectural blueprints for the construction of three-dimensional structures. The censored blocks of text were thus transformed into volumes that reveal seemingly recognizable spaces: fences, doors,

Sobreposición

Sobreposición is an evolving investigation into the layered histories embedded within architectural remnants. Through this project, Pablo Rasgado transforms discarded drywall fragments from institutional exhibitions into intricate, site-specific installations that operate simultaneously as artworks, museographic designs, and platforms for

Unfolded Architecture

Each work is made from drywall recuperated from several museums, pieces of this material left over from specific exhibitions. These fragments have been reconfigured into flat rectangular formats, which in scale and composition reference abstract paintings. Having previously been
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